支持了

汁持了

惹

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The debut album from the celebrity production duo is a somber departure from their EDM days—a lifeless, anodyne pop record that wallows in basic feelings of regret andnarcissism.Commercial EDM thrives on triumph, each one greater than the last, andthe Chainsmokershave a bootstrap story as big as any in the game. When Drew Taggart and Alex Pall released “#SELFIE” in December 2013, they were relative nobodies trying to make a dent on the EDM scene. A month later,Steve Aoki’s Dim Mak label picked up the single—a novelty song about social media that suggested women are somehow more vain and annoying than men—and things started happening for the duo. But, like the viral spread ofBaauer’s “Harlem Shake,” the success of “#SELFIE” and its attendant backlash threatened to eclipse their fledgling career.
烟鬼的首专是他们EDM生涯的灰暗的开端——一张毫无生机、平淡乏味，充斥着懊悔与孤芳自赏情绪的流行专辑。商业电子音乐在不断成长，一次比一次更加成功，而烟鬼自力更生的故事与行业中其他人一样感人。当Drew Taggart和Alex Pall在2013年12月释出“#SELFIE”时，他们只是两个试图在EDM时代中留下痕迹的小人物。一个月后，Steve Aoki的厂牌Dim Mak收录了这支单曲——一支讲述了女人在社交媒体中似乎比男人更自负和恼人的新奇的单曲——然后这个组合的命运就发生了转机。但是，就像全球大火的Baauer的哈林摇，“#SELFIE”的成功所带来的后果和大众强烈的反对威胁到了他们初生的事业。

翻完直接发出来了，没有润色所以读上去很生涩惹

靴靴楼主厚

支持了，楼主努力更厚。

“We made a novelty record that was, in my opinion, one of the most clever records ever made... Obviously not everyone got the joke,” Taggart toldIdolatorin late 2015, gravely underestimating everyone's ability to get jokes. “But we’re working our way out of that and proving that we’re pretty well-rounded musicians.”So they abandoned their EDM to emphasize slower tempos, slinky melodies, and songs about bruised feelings. Whether they helped initiate the move away from super-sized dance music or merely sniffed the shifting winds, it was a canny move. In the past year, they have become one of the biggest names in pop music. On YouTube, a pair of videos for their single “Closer”—a moody, surprisingly convincing song about sex, regret, and the passage of time—has been viewed 1.6 billion times. Their 10 most popular songs on YouTube and Spotify alone account for a combinedseven billion plays.
“我们做了一张十分新奇的专辑，在我看来，应该是有史以来最巧妙的专辑之一了…显然不是每个人都看出这是句玩笑，“Taggart在2015年末告诉Idolator（一个音乐博客），他显然严重低估了每个人辨别笑话的能力。“但是我们在想办法摆脱大众片面的看法并努力证明我们是有才华的音乐人。“于是他们抛弃了他们的EDM，转而使用更慢的拍子，撩人的的旋律和关于感情受伤的歌曲。不论他们是否是使行业偏离电子舞曲的开端，或仅仅是察觉出了改变的风向，这都是一个精明的举动。在YouTube上，他们的单曲“Closer”——一首关于性，悔恨与时光流逝的郁郁寡欢却十分有说服力的歌曲——的两只音乐录影带的观看量已经超过16亿。他们在YouTube和Spotify的前十热门单曲的播放量加起来已经达到了七十亿。

支持了

好客观哦

我觉得烟鬼的歌词里描写的角色就是“我抽烟喝酒打架纹身，但我是好女孩”

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